TSG Postprints: Keyword index
From MediaWiki
Textile Specialty Group Conservation Wiki
Back to Postprints index
Back to Textiles Chapter List
Back to TSG Subsite
Contributors:
Robin Hanson
Keyword Index[edit | edit source]
Dates[edit | edit source]
12th century | 20:67 |
18th century | 16:55, 19:145, 21:17 |
19th century | 8:1, 15:19, 18:72, 20:128, 20:167 |
20th century | 15:19, 22:70 |
A[edit | edit source]
accelerated aging | 2:14, 9:51, 15:75, 20:135 | |
access | 15:53, 19:180, 21:54, 22:1, 22:7, 22:123, 22:138 | |
acidity | 5:20, 5:79 | |
adhesion | 12:45 | |
adhesive | 1:17, 11:19, 13:13, 13:69, 15:43, 16:87, 19:184, 19:187, 20:128, 21:17, 22:70 | |
adsorption | 3:28 | |
advocacy | 22:1 | |
aesthetics | 21:81 | |
African | 17:1 | |
agar | 22:78 | |
aging | 20:115 | |
Agora (Athens, Greece) | 12:25 | |
aircraft | 12:57 | |
aldehyde | 10:39 | |
Alexander Ramsey House (Saint Paul, Minnesota) | 14:33 | |
alginate | 11:1 | |
alpaca (fiber) | 13:53, 14:99 | |
American | 20:9, 21:54 | |
American Colonial | 16:31 | |
amino acid dating | 22:55 | |
Anatolian | 17:17 | |
Andes Mountains | 17:81 | |
animal material | 22:55 | |
anoxia | 8:9, 10:55 | |
antependia | 9:25, 20:88 | |
Aquazol™ | 19:187 | |
archaeological objects | 6:55, 7:7, 7:12, 11:59, 12:25, 13:53, 18:88, 19:129 | |
armatures (structural frames) | 21:30 | |
armchairs | 12:67 | |
art history | 12:105 | |
artist’s intent | 17:107 | |
Asia | 2:31 | |
authentication | 17:17, 17:63 | |
Azerbaijan | 20:22 |
B[edit | edit source]
backing (textile) | 7:57, 10:89, 13:69, 14:85, 20:67, 20:128, 21:17 | |
banners | 20:76, 20:128, 22:7 | |
bark cloth | 17:1 | |
batting | 13:13 | |
beads | 17:1, 21:68 | |
beadwork | 7:35, 21:68 | |
bedcovers | 4:7, 20:102 | |
Belize (Altun Ha) | 12:11 | |
belts (costume accessories) | 18:56 | |
bergères (armchairs) | 18:1 | |
Bertoia, Harry (1915-78) | 14:115 | |
Bhutan | 16:65 | |
binder (material) | 7:40 | |
biodeterioration | 9:1 | |
bleach | 14:11 | |
bleaching | 8:15, 8:27, 14:1, 15:75 | |
bleeding (seeping) | 22:78 | |
borohydride | 8:27 | |
broadsides | 4:7 | |
bronze (metal) | 12:37 | |
budgeting | 9:53 | |
building plans | 19:24, 19:33, 19:52, 19:66 | |
burial | 1:46 | |
burials | 12:25 | |
burning | 14:65 | |
Buyid | 17:63 |
C[edit | edit source]
calcium sulfate | 12:119 | |
Canada (Québec) | 9:25 | |
cane (plant material) | 4:27 | |
candlewick (yarn) | 4:7 | |
cannonballs | 11:27 | |
canvas | 21:1 | |
capillary electrophoresis | 22:55 | |
carbonyl | 10:39 | |
carboxylic acid | 10:39 | |
carpets | 2:46, 9:37, 17:17, 19:171, 20:22, 21:81 | |
Cashin, Bonnie (1915-2000) | 21:54 | |
catalogs | 4:39, 4:45 | |
cataloging | 22:138 | |
cathedrals (buildings) | 14:65 | |
cellophane | 10:39 | |
cellular telephones | 22:32 | |
cellulose | 10:25, 19:129, 22:116 | |
cellulosic | 8:27, 10:39 | |
chairs | 14:115, 20:41 | |
chelating agent | 5:69, 19:145 | |
chemical analysis | 10:1, 14:115, 17:17, 17:81 | |
chemical properties | 13:53 | |
Chile | 7:117, 20:128 | |
Chile (Arica) | 7:7 | |
Chinese | 12:37, 19:102, 19:116, 19:180 | |
citric acid | 19:145 | |
Civil War (United States) | 18:38, 19:129 | |
cleaning | 1:6, 1:17; 2:7, 3:7, 5:12, 5:15, 6:17, 8:63, 9:19, 9:37, 11:47, 12:57, 12:85, 12:105, 13:35, 13:45, 14:11, 14:23, 14:99, 14:105, 14:115, 18:1, 18:72, 19:145, 19:171, 19:184, 19:194, 20:67, 21:17, 21:68, 22:63, 22:78, 22:106 | |
cleaning compound | 19:89 | |
clients | 9:53 | |
clothing | 1:26, 1:46, 3:38, 6:9, 7:50, 8:45, 9:1, 43, 10:69, 15:43, 15:87, 16:31, 16:41, 16:55, 16:65, 17:1, 17:31, 18:21, 18:72, 19:52, 19:89, 19:102, 19:116, 20:9, 21:30, 21:42 | |
coating (material) | 15:83, 19:102, 19:116 | |
coil-spring seats | 18:1 | |
collaborating | 7:117, 9:49, 15:9, 16:21, 16:55, 18:88 | |
collaboration | 20:67, 21:1, 22:19 | |
collections care | 9:49, 14:125, 15:1, 15:53, 15:87, 16:65, 18:21, 18:88, 19:52, 19:66, 19:102, 19:116, 20:22, 20:55, 20:102, 20:157, 22:46, 22:63 | |
collections management | 7:7, 10:15, 14:125, 15:1, 15:31, 18:21, 21:54, 22:7, 22:46 | |
color (perceived attribute) | 22:103 | |
color changes | 18:1, 20:144, 20:181, 22:103 | |
color shift | 22:116 | |
colorant (material) | 7:63, 12:11, 20:181 | |
colorimetry | 3:19, 5:79, 13:13, 22:103 | |
coloring (process) | 22:123 | |
communication (function) | 22:1, 22:46 | |
comparative analysis | 20:144 | |
composite material | 17:47 | |
composite objects | 21:1, 21:54 | |
computer-aided design | 22:91 | |
computerization | 6:37 | |
condition (changing process) | 12:85 | |
condition assessment | 19:156, 22:63 | |
condition reports | 7:12, 21:54 | |
conferences | 4:39 | |
conservation in action | 22:1, 22:7 | |
conservation centers | 7:80, 7:87, 9:53, 15:1, 19:10, 19:24 | |
conservation materials | 20:55 | |
conservation philosophy | 21:1, 21:8, 21:81 | |
conservation policy | 20:157, 21:1 | |
conservation principles | 21:81 | |
conservation science | 16:75, 22:19, 22:138 | |
conservation surveys | 22:46, 22:63 | |
conservation theory | 4:7 | |
conservators | 4:17, 7:117, 8:79, 9:45, 9:53, 21:8, 22:42 | |
consolidant | 19:187 | |
consolidation | 2:66, 16:87, 19:187, 20:128, 21:17, 22:63, 22:106 | |
construction techniques | 17:1, 21:30 | |
contemporary art | 20:1 | |
Cooper-Hewitt National Design Museum (New York, New York) | 16:21 | |
copper (metal) | 12:85 | |
corrosion (condition changing process) | 12:85 | |
cost benefit analysis | 19:194 | |
costume accessories | 14:125 | |
costumes | 20:9, 22:42 | |
cotton (fiber) | 9:1, 22:116 | |
cotton (textile) | 4:7, 6:17, 9:19, 11:19, 11:47, 14:23, 15:63 | |
cowrie shell | 16:87, 17:1 | |
cradles (framing and mounting equipment) | 7:89 | |
craftsmanship | 17:1 | |
crazy quilts | 15:19 | |
creases (conditions) | 12:85, 21:68, 22:63 | |
crepeline | 8:1, 20:128 | |
culturally sensitive objects | 22:106 | |
cyclododecane | 14:1, 22:78 |
D[edit | edit source]
darkening | 22:116 | |
databases | 8:71, 22:138 | |
decision making | 5:39, 11:11, 15:9, 15:16:15:21, 15:31, 15:55, 20:76, 20:88, 21:1, 21:8, 21:17, 21:68, 21:81, 22:46, 22:63 | |
deels | 20:67 | |
deformation | 19:156, 20:128 | |
degradation | 20:115, 22:116 | |
deionization | 5:15 | |
deionized water | 5:12 | |
design (discipline) | 19:1 | |
detaching | 20:115 | |
detergency | 19:89 | |
detergent (cleaning compound) | 19:89 | |
devotional objects | 22:106 | |
digital cameras | 22:138 | |
digital imaging | 15:31, 15:53, 16:75, 19:77, 19:156, 20:31, 22:91, 22:138 | |
digital photogrammetry | 19:156 | |
digital prints | 20:31, 22:91 | |
digital reconstruction (computer image-making process) | 22:91 | |
digitizing | 19:180 | |
disassembling | 18:72 | |
disaster planning | 3:38, 8:39, 14:65, 19:52 | |
disaster recovery | 3:38, 5:39 | |
discoloration | 10:55, 11:1, 20:128, 22:116 | |
disinfecting | 14:11 | |
distortion | 20:1 | |
documentaries (motion picture genre) | 22:7 | |
documentary photography | 15:19 | |
documentation (activity) | 6:31, 6:37, 8:45, 10:101, 12:105, 15:9, 15:19, 15:31, 15:53, 17:63, 17:107, 18:72, 19:16, 19:77, 19:156, 19:180, 20:31, 21:42, 21:54, 22:7, 22:138 | |
dolls | 12:105, 14:93 | |
dress (culture-related concept) | 19:102, 19:116, 19:180 | |
dresses (garments) | 14:23, 18:56, 18:72 | |
dry cleaning | 6:94, 8:63, 9:43 | |
drying | 2:1, 8:53 | |
dry cleaning /exhibiting | 22:63 | |
dye | 5:12, 6:79, 6:91, 10:55, 11:1, 11:19, 13:95, 17:17, 20:181, 22:78 |
E[edit | edit source]
EDTA | 22:78 | |
education | 6:31, 15:37, 20:121, 22:1, 22:19 | |
embrittlement | 19:187 | |
embroidering | 14:1, 17:81 | |
embroidery (visual works) | 20:88 | |
energy dispersive x-ray spectroscopy | 9:1 | |
engines | 12:57 | |
environmental control | 15:1, 20:128 | |
environmental impact | 19:89 | |
equipment | 5:53, 5:79, 6:31, 19:10, 22:138 | |
ergonomics | 8:79, 9:45 | |
ethics (concept) | 1:17, 7:35, 9:53, 17:107, 20:88, 21:1, 21:8, 21:17, 21:68, 21:81 | |
ethnographic objects | 11:1, 12:75, 14:99, 15:9, 16:87, 17:1, 19:102, 19:116, 19:145, 20:121, 21:68, 22:55 | |
ethnographic objects /interdisciplinarity | 21:1 | |
Europe | 5:53 | |
evaluation | 20:9, 20:102, 20:144, 21:17 | |
exhibit cases | 13:1, 16:21, 20:128 | |
exhibiting | 3:7, 6:9, 6:12, 6:14, 7:50, 7:89, 7:94, 9:19, 9:25, 9:49, 10:69, 10:89, 11:11, 14:23, 14:55, 14:77, 14:99, 15:9, 15:43, 15:75, 16:31, 16:65, 17:31, 18:56, 20:9, 20:55, 20:88, 20:102, 20:115, 20:157, 21:30 | |
exhibitions | 7:35, 22:32 |
F[edit | edit source]
fading | 10:55, 15:75, 20:135, 20:144, 20:157, 20:181 | |
fancy dress | 18:72 | |
fans (costume accessories) | 3:57, 22:63 | |
fashion | 16:55 | |
fashion design | 21:54 | |
Fashion Institute of Technology (New York, New York, United States) | 21:54 | |
fasteners | 20:115 | |
fatty acid | 3:7, 13:27 | |
faux suede | 17:31 | |
feather | 12:45, 22:63 | |
felt | 20:1, 22:123 | |
Federal | 20:41 | |
fiber | 8:71, 10:25, 11:27, 13:53, 14:65, 15:83, 19:77, 19:129, 21:42 | |
fiber optics | 20:135 | |
filing | 19:16 | |
filling (process) | 7:50, 7:63, 8:1, 12:67, 16:75, 18:1, 20:128, 22:91, 22:106, 22:123 | |
filmmaking | 22:7 | |
finding aids | 21:54 | |
finish (coating) | 10:1 | |
fire prevention | 13:1 | |
fireproofing agent | 13:1 | |
fires | 14:65 | |
flags | 9:19, 9:49, 10:109, 14:85, 20:76, 20:128, 22:1 | |
flattening | 11:19, 12:85 | |
floods | 8:45 | |
fluorescence | 17:17 | |
folk costume | 20:67 | |
forgeries (derivative objects) | 10:15, 17:47, 17:63 | |
Fourier transform infrared spectroscopy | 10:25, 17:81, 19:129 | |
fragility | 19:145 | |
frames (furnishings) | 3:7 | |
framing (processes) | 10:89 | |
freeze-drying | 8:53 | |
freezing | 12:75 | |
fumigating | 8:9 | |
fund raising | 22:1 | |
funding | 15:53, 22:19 | |
fungicide | 14:11 | |
furnishings | 14:55, 16:11, 22:116 | |
furniture | 4:17, 4:27, 7:108, 14:33, 14:115, 18:1, 20:31, 20:41 |
G[edit | edit source]
galleries (display spaces) | 16:21 | |
gel | 19:184 | |
glass (material) | 3:7, 17:1 | |
Glenbow Museum (Calgary, Alberta) | 18:21 | |
goat hair | 16:87 | |
goatskin | 16:87 | |
gold | 6:17 | |
gowns | 20:9 | |
grass (plant material) | 14:55 | |
grave goods | 6:70, 6:79 | |
guidelines | 16:41, 16:55, 16:65 | |
gum resin | 12:1 | |
gypsum | 12:119 |
H[edit | edit source]
Hampton Court Palace. Textile Conservation Centre (England) | 7:80 | |
handkerchiefs | 18:38 | |
handling | 15:43 | |
hangers (costume equipment) | 10:69, 12:133, 15:87 | |
hats | 5:87, 6:17, 16:87 | |
hazardous substance | 7:40, 11:47 | |
hazardous waste | 19:89 | |
health | 8:79 | |
heat | 13:13, 14:23 | |
hemp | 11:27 | |
Herter Brothers (act. 1864-1906) | 18:1 | |
high performance liquid chromatography | 7:23 | |
historic house museums (buildings) | 16:11, 22:46, 22:123 | |
historic houses | 14:33, 14:55 | |
historic sites /housekeeping | 22:46 | |
history of conservation | 7:80, 7:117, 10:10, 10:75, 10:89, 21:8, 21:81 | |
history of conservation /interpretation | 21:17 | |
history of technology | 12:37 | |
Hyde House (Glens Falls, New York) | 16:11 | |
hue | 22:103 | |
humidification | 21:68 | |
hygroscopicity | 2:14 |
I[edit | edit source]
identification | 15:83, 21:42, 22:55 | |
image databases | 21:42, 21:54 | |
image processing | 6:37 | |
imitation leather | 17:31 | |
indexing | 19:16 | |
India | 22:19 | |
Indian (South Asian) | 11:19 | |
Indiana State Museum (Indianapolis, Indiana, United States) | 22:32, 22:138 | |
indigenous people | 20:121 | |
indigo (colorant) | 11:19 | |
infills (lacunae areas) | 22:123 | |
information management | 21:54, 22:138 | |
ink | 14:23 | |
inkjet printing | 18:1, 20:31 | |
inkjet printing /lacunae | 22:91 | |
inkjet prints | 16:75 | |
inpainting | 8:1, 22:106 | |
insect damage | 16:87 | |
installations (exhibitions) | 16:55 | |
installations (visual works) | 16:21 | |
interdisciplinarity | 22:106 | |
international cooperation | 20:22, 20:67, 22:19 | |
internship | 3:65 | |
interpretation | 6:31, 17:107, 19:180, 21:68 | |
interviewing | 22:42 | |
interviews | 17:107 | |
iron (metal) | 18:38 | |
iron-gall ink | 20:167 | |
Israel (Masada) | 7:23 | |
Italianate | 16:11 |
J[edit | edit source]
James J. Hill House (Saint Paul, Minnesota) | 20:31 | |
Japan | 2:14 | |
Japanese | 12:105 | |
jewelry | 12:45 | |
jute (fiber) | 2:60, 5:39, 15:63 |
K[edit | edit source]
kapok | 12:11 | |
Kuba (Democratic Republic of Congo style) | 17:1 | |
Kwakiutl | 15:9 |
L[edit | edit source]
labeling | 18:21 | |
laboratories | 5:9, 5:15, 19:1, 19:10, 19:16, 19:24, 19:33, 19:43, 19:52, 19:66, 19:77 | |
lacunae | 20:128, 22:123 | |
Lakota | 15:9 | |
lamps (lighting devices) | 14:115 | |
large-format | 6:14 | |
Late Intermediate period | 7:7 | |
leaf (metal) | 17:81 | |
leather | 6:17, 7:57, 12:67 | |
legislation (legal concepts) | 19:89 | |
letterpress printing | 18:72 | |
Library of Congress (Washington, DC) | 19:24 | |
lifting (transporting) | 19:129 | |
light (energy) | 8:15, 13:13, 14:23 | |
lighting | 20:157 | |
linen | 2:60, 6:17, 12:119, 14:1 | |
lining | 2:66, 3:57 | |
lining (process) | 13:95 | |
lining (process) /mounting | 22:106 | |
liquid chromatography | 22:116 | |
liturgical objects | 17:81 | |
Los Angeles County Museum of Art (Los Angeles, California) | 1:26, 3:38 |
M[edit | edit source]
machine lace | 22:70 | |
Madagascar | 16:65 | |
madder (colorant) | 22:116 | |
maintenance | 22:46 | |
Mamluk | 6:17 | |
man-made | 17:31 | |
mannequins (costume equipment) | 10:69, 14:23, 16:31, 18:56, 20:9, 21:30 | |
mantles (outerwear) | 14:99 | |
manufacturing techniques | 17:31, 17:107 | |
Maori | 11:1 | |
marine environments | 9:1, 11:27, 18:38, 19:129 | |
markers (drawing instruments) | 14:23 | |
marketing | 22:1, 22:32 | |
mass spectrometry | 22:55, 22:116 | |
matrix-assisted laser desorption ionization | 22:55 | |
Maya | 7:12, 12:11 | |
mechanical properties | 13:13, 13:45, 14:65, 19:156 | |
Medieval | 6:17 | |
mending | 7:50, 7:63, 12:67, 22:63, 22:70 | |
metal | 12:25 | |
metal thread | 7:50, 13:27, 17:81 | |
metalworking | 12:37 | |
methodology | 21:17, 22:70, 22:78 | |
methyl cellulose | 19:184 | |
Metropolitan Museum of Art (New York, New York) | 7:87, 15:1, 19:66, 77 | |
Mexican | 20:121 | |
Mexico | 15:37 | |
M.H. de Young Memorial Museum (San Francisco, California) | 19:33 | |
microanalysis | 14:115, 15:63 | |
microclimate | 20:128 | |
microcomputers | 22:32 | |
micro-destructive testing | 22:55 | |
microfadeometry | 20:135, 20:144, 20:157, 20:167, 20:181 | |
microscopy | 6:61, 8:71, 15:83, 19:77, 21:42 | |
military uniforms | 16:31 | |
mineralization | 6:70, 12:25 | |
minimal intervention | 20:76, 21:68, 21:81 | |
Minnesota Historical Society (Saint Paul, Minnesota, United States) | 22:1 | |
mixed media | 13:95, 14:115 | |
mollusks | 7:23 | |
monitoring | 19:194, 22:46 | |
mordant (surface preparation material) | 6:91 | |
Morris, Robert (b. 1931) | 20:1 | |
Mongolia | 20:67 | |
mounting | 1:6, 3:47, 6:9, 6:12, 6:14, 6:17, 10:69, 10:89, 13:95, 14:23, 14:77, 14:85, 14:99, 16:1, 18:21, 18:56, 20:9, 20:76, 20:115, 21:68 | |
mounts (secondary support) | 7:50, 7:89, 11:59, 13:95, 15:53, 16:1, 18:56 | |
mud cloth | 19:102, 19:116 | |
multidisciplinarity | 21:30 | |
mummies | 18:88 | |
Museo Nacional de la Música de Cuba (Havana, Cuba) | 22:63 | |
Museum of Fine Arts (Boston, Massachusetts) | 15:53, 19:43 | |
museums (institutions) | 13:1, 16:1, 16:31, 16:41, 19:89, 20:157, 21:1, 22:1, 22:19, 22:32 |
N[edit | edit source]
napkins | 14:1 | |
National Air and Space Museum (Washington, DC, United States) | 21:30 | |
National Museum of the American Indian (Washington, DC) | 11:59, 15:9 | |
Native American | 6:70, 6:79, 7:35, 15:9, 18:56, 19:145 | |
natural dye | 7:23 | |
natural fiber | 21:42 | |
naugahyde™ | 17:31 | |
needlework (visual works) | 3:7, 10:89 | |
needs assessment | 22:46 | |
Nelson, George (1908-86) | 14:115 | |
net (textile) | 7:50 | |
New Zealand | 11:1 | |
nitrogen | 10:55 | |
nonionic detergent | 19:145 | |
nonwovens | 5:64, 17:31, 20:55 | |
nylon | 11:47 |
O[edit | edit source]
Ohio State University (Columbus, Ohio, United States) | 21:42 | |
optical microscopy | 13:53 | |
oral histories | 17:107 | |
organic material | 12:37 | |
Oriental rugs | 2:46 | |
ornaments | 12:45 | |
overlays | 8:1, 10:109 | |
overskirts | 17:1 | |
oxidation | 6:79, 10:39, 20:128 | |
oxygen absorber | 10:55 |
P[edit | edit source]
paint (coating) | 2:60, 6:61, 22:106 |
paintings (visual works) | 13:95, 21:1, 22:106 |
paper (fiber product) | 4:7, 4:39, 17:93, 20:167, 21:54 |
People's History Museum (Manchester, England) | 22:7 |
peptide mass fingerprinting | 22:55 |
perception | 21:17 |
Persian (culture) | 21:81 |
Peru | 2:7, 18:88 |
Peru (Huaca Malena) | 18:88 |
Peruvian | 5:87, 14:99 |
pest control | 10:55, 12:75 |
pH | 2:1, 15:63, 22:116 |
Philadelphia Museum of Art (Philadelphia, Pennsylvania) | 19:52 |
photodegradation | 9:51, 15:75, 20:135, 20:157 |
photodocumentation | 6:46, 22:138 |
photomicrography | 19:77 |
photosensitivity | 20:167 |
physical analysis | 10:25 |
physical properties | 8:53, 13:53, 14:65 |
pigment | 7:23, 7:40, 20:181 |
plant fiber | 17:1 |
plant material | 4:27, 17:1 |
plastic | 14:115, 14:125 |
polychrome | 12:119 |
polyester (fiber) /repairing | 22:123 |
polyester (textile) | 3:57, 5:64, 11:47 |
polyethylene foam | 21:30 |
polymers | 11:47, 19:187 |
polyvinyl acetate | 22:70 |
polyvinyl chloride | 14:115 |
poulticing | 8:63, 19:184, 22:78 |
Pre-Columbian | 13:53 |
preparing | 15:83 |
preventive conservation | 9:25, 9:43, 9:49, 15:1, 15:87, 18:88, 19:52, 19:66, 19:102, 19:116, 20:22, 20:76, 20:157, 20:121, 21:54, 22:46 |
preventive conservation /repairing | 22:63 |
preventive conservation /textiles | 22:19 |
previous interventions | 19:184, 20:41, 20:76, 20:102, 21:17, 21:68, 21:81 |
primary sources | 4:27, 13:35, 20:31, 21:54 |
printing | 2:60 |
printing processes | 22:116 |
professional ethics | 21:8, 22:42 |
professional standards | 21:1 |
professional standards /stakeholders | 21:8 |
protein | 19:129, 22:55 |
proteomics | 22:55 |
provenance (ownership) | 10:15, 17:63 |
provenance (source) | 17:63 |
pseudomorphs | 6:70 |
public outreach | 22:1, 22:32, 22:42 |
public outreach /questionnaires | 22:7 |
publishing | 4:39, 4:45 |
purification | 5:9, 5:15, 14:105 |
purple (color) | 22:116 |
Q[edit | edit source]
Qing | 19:180 | |
questionnaires | 5:25, 9:11, 9:45 | |
quilts | 8:1, 15, 13:13, 14:23, 14:77, 22:32, 22:138 |
R[edit | edit source]
radiocarbon dating | 17:17, 17:63 | |
radiography | 17:17 | |
raffia | 16:87, 17:1 | |
Rauschenberg, Robert (1925-2008) | 13:95 | |
rayon | 9:11 | |
reconstruction | 16:11, 16:41, 21:81 | |
recording | 17:107, 19:156 | |
records management | 19:16 | |
reference sources | 21:42, 21:54 | |
reflectance spectroscopy | 20:135 | |
rehabilitation | 19:33 | |
reinforcement | 20:1 | |
religious art | 17:47 | |
religious objects | 12:119 | |
removing | 19:184 | |
Renaissance | 20:88 | |
Renaissance Revival | 16:11 | |
renovation | 16:11, 19:24, 19:33, 19:66 | |
repairing | 20:1, 21:17, 22:70 | |
replacement | 20:31, 22:91, 22:106 | |
replication | 16:41, 20:31 | |
reproductions | 7:94, 7:108, 16:11, 16:31, 16:41, 16:75 | |
residue materials | 3:7 | |
resin (organic material) | 7:40, 7:57 | |
retrofitting | 19:33 | |
reversibility | 13:69, 19:187, 22:123 | |
ribbonwork | 12:85 | |
risk assessment | 20:135 | |
rose madder | 20:181 | |
rugs | 19:171, 22:123 | |
rush | 4:27 |
S[edit | edit source]
S. John the Divine (New York, New York) | 14:65 | |
Safavid (Iranian Islamic styles) | 21:81 | |
safety | 8:79, 9:45, 19:24, 19:52 | |
samplers (embroidery) | 22:78 | |
sampling | 15:63, 83 | |
sashes (costume accessories) | 19:145 | |
scanning electron microscopy | 2:7, 8:53, 13:69, 17:81, 19:129, 20:115 | |
Schiaparelli, Elsa (1890-1973) | 15:43 | |
scientific analysis | 20:135, 20:144 | |
scientific instruments | 20:144, 20:157, 20:167, 20:181 | |
sculpture (visual work) | 12:119, 20:1 | |
shaping | 20:1 | |
shaping (process) | 22:63, 22:123 | |
shipwrecks | 9:1, 11:27, 18:38, 19:129 | |
shrouds | 12:1 | |
Sierra Leone | 16:87 | |
silk (fiber) | 6:94, 15:75, 22:55 | |
silk (textile) | 2:14, 2:66, 3:28, 3:57, 4:7, 5:39, 5:79, 6:17, 9:51, 10:89, 12:85, 13:27, 13:95, 14:1, 65, 15:43, 15:63, 17:63, 18:38, 18:72, 19:102, 19:116, 19:180, 19:187, 20:67, 20:76, 21:17, 22:78, 22:106 | |
silver (metal) | 12:85 | |
sisal | 14:55 | |
size-exclusion chromatography | 9:51 | |
sketchbooks | 21:54 | |
sketches | 21:54 | |
skirts | 15:87 | |
Sleeper-McCann House (Gloucester, Massachusetts, United States) | 22:123 | |
slip seats | 20:41 | |
Smithsonian Institution. National Museum of American History (Washington, DC) | 16:31, 20:9 | |
software | 22:138 | |
soil | 12:25 | |
soiling | 11:47, 18:1, 19:145 | |
solvent | 6:91, 6:94, 12:85, 14:105 | |
soot | 8:63 | |
South African | 21:68 | |
Southeast Asian | 19:102, 19:116 | |
space suits | 12:97 | |
Spanish Colonial | 1:46, 17:81 | |
spectrometry | 17:17 | |
spectrophotometry | 6:79, 6:91 | |
sponges | 8:63 | |
spot testing | 6:55 | |
stability | 12:133 | |
stabilizing | 1:6, 11:1, 14:99, 15:43, 18:1, 18:38, 18:72, 19:129, 21:68, 22:63, 22:70, 22:106, 22:123 | |
stable isotopes | 22:55 | |
stain removal /textiles | 22:78 | |
stains (damage) | 12:85, 17:93, 18:1, 18:38, 19:184 | |
stakeholders | 15:9 | |
standardization | 19:194 | |
standards (concepts) | 6:55, 21:54 | |
sterilization | 14:11 | |
stitching | 3:47 | |
stitching (process) | 20:67, 21:17, 21:68, 22:63, 22:70 | |
stiffness | 2:1 | |
strength of materials | 13:45 | |
storage | 2:14, 7:12, 7:87, 8:9, 9:25, 9:43, 9:49, 11:59, 12:133, 15:1, 9, 16:65, 18:21, 19:52, 20:55, 21:68, 22:63 | |
storage facilities | 19:52 | |
strain | 19:156 | |
stress | 15:43 | |
structural analysis | 10:25 | |
structural stability | 22:123 | |
stylistic analysis | 11:11, 12:105 | |
submarines | 19:129 | |
suits (main garments) | 21:17 | |
suppliers | 9:25 | |
supporting | 21:68 | |
supporting /textiles | 21:17 | |
supports (artists’ materials) | 7:57 | |
supports (furniture components) | 20:41 | |
surface active agent | 3:28, 5:25, 5:29, 9:37, 11:47 | |
surveys (documents) | 10:75 | |
synthetic fiber | 9:11, 20:115, 21:42 |
T[edit | edit source]
tacking | 14:33 | |
tapestries | 1:6, 3:28, 7:89, 8:9, 10; 75, 11:11, 14:65, 19:156 | |
tears (conditions) | 7:57, 12:67, 20:1, 20:128, 22:123 | |
tensile strength | 2:7 | |
terminology | 16:41 | |
thangkas (scrolls or banners) | 17:47, 22:106 | |
theorems (paintings) | 13:35 | |
thermoplastic polyester | 20:41 | |
thin layer chromatography | 6:79 | |
thread | 20:128, 22:78, 22:116 | |
three-dimensional | 5:87, 5:93, 19:156 | |
Tibetan Buddhism | 17:47 | |
Tibetan Buddhist /training | 22:106 | |
time-of-flight mass spectrometry | 22:55 | |
tin | 9:1 | |
toning (painting) | 8:1 | |
top covers (upholstery components) | 7:108 | |
training | 8:39, 15:31, 15:37, 16:65, 18:88, 20:22, 22:19 | |
Transferring | 22:106 | |
transporting | 14:85 | |
traveling exhibitions | 3:47 | |
trimming (material) | 18:72 | |
Tyrian purple (colorant) | 7:23 |
U[edit | edit source]
ultraviolet photography | 17:17 | |
ultraviolet radiation | 20:181 | |
uniforms | 10:69 | |
United Kingdom | 22:19 | |
United States | 5:53, 7:35, 7:94, 9:19, 18:88 | |
United States (Connecticut–Gillette Castle State Park) | 14:55 | |
United States (Florida–Miami) | 12:85 | |
United States (Maryland–Suitland) | 11:59 | |
United States (New Mexico–Santa Fe) | 1:46 | |
United States (New York–New York) | 6:37, 7:87, 9:49, 20:76 | |
United States (Pennsylvania–Gettysburg National Military Park) | 12:133 | |
United States (Pennsylvania–Pittsburgh) | 2:60 | |
United States (Rhode Island) | 1:6, 6:70, 6:79 | |
United States (West Virginia–Harpers Ferry National Historical Park) | 8:71 | |
University of Alberta (Edmonton, Alberta) | 8:45 | |
University of Texas at Austin. Harry Ransom Humanities Research Center (Austin, Texas, United States) | 22:42 | |
upholstery | 4:17, 4:27, 7:108, 12:67, 14:33, 15:19, 18:1, 20:31, 20:41 |
V[edit | edit source]
vacuum cleaners | 19:171 | |
vacuum cleaning | 19:171, 19:194 | |
vacuum tables | 5:79, 17:93 | |
Velcro™ | 20:115 | |
velvet | 13:35, 20:88 | |
vestments | 2:66, 20:88 | |
Victoria and Albert Museum (London, England) | 22:19 | |
Victorian | 14:33 | |
vinyl | 17:31 | |
virtual restoration | 22:91 | |
viscometry | 9:51 | |
visual inspection | 6:61, 13:45 | |
visual perception | 22:103 | |
visualization | 15:53 |
W[edit | edit source]
wall coverings | 2:60, 7:94, 14:55 | |
wall hangings | 5:79, 11:19 | |
washing (cleaning) | 17:93, 20:128, 22:63 | |
water | 5:9, 5:15, 5:20, 14:105 | |
water damage | 7:94, 18:1 | |
water quality management | 14:105 | |
water-soluble | 19:187 | |
waterlogged | 9:1 | |
waterlogged objects | 18:38, 19:129 | |
weapons | 12:37 | |
wear | 22:123 | |
wearing blankets | 12:85 | |
weavers | 20:121 | |
weaving | 14:99 | |
weaving techniques | 17:63, 20:121 | |
web sites | 21:42 | |
wedding dresses | 9:43 | |
wet cleaning | 5:15, 5:25, 5:29, 5:35, 5:39, 5:53, 5:64, 5:69, 5:79, 5:87, 5:93, 8:63, 14:1, 14:23, 19:89, 19:145, 19:171, 19:184, 20:128, 20:167 | |
White House (Washington, DC) | 15:19 | |
wood | 12:57, 14:33 | |
Woodland Tradition | 19:145 | |
wool (fiber) | 15:75 | |
wool (hair) | 6:91 | |
wool (textile) | 5:87, 6:70, 6:79, 6:94, 8:9, 8:53, 9:19, 9:37, 10:1, 12:85, 13:53, 14:65, 14:99, 17:17, 19:145, 20:1, 22:78 | |
workshops (seminars) | 15:37, 18:88, 20:22, 22:19 |
X[edit | edit source]
x-ray fluorescence | 17:81, 18:72 |
Y[edit | edit source]
yarn | 22:70 | |
yellowing | 15:75, 20:128 | |
Yucatán Peninsula | 7:12 |
Back to Postprints index
Back to TSG Resources
Back to Textiles Chapter List
Back to TSG Main Page